Fedora's intricate and pretentious constructions, created from fragments of everyday objects from dumps and flea markets - her experiments in formal assemblage and object collage - are unified by that specific plasticity of wholeness and timelessness by which we habitually identify some ancient value. The archaeological texture of objects communicates the persuasiveness of fact to something that never existed, and lends a sensuous density to the imagined distance of a distant future after man.